Drum Tracks With The Slapstik

Wednesday, March 12th, 2008

Pushing your boundaries is fun… It’s even more fun with a slapstik! Drummers – if you haven’t heard about this neat new contraption, don’t worry. I’m here to tell you all about it!

The slapstik http://www.theslapstik.com/ is a new and exciting tool that can bring your creativity to a whole other level! It basically consists of a regular drumstick, with a small bendable attachment on the end that lets you create upstrokes and down-strokes on the hi-hat, or anywhere else on the drum kit, with amazing speed and agility. It is intended to be used in the dominant hand, with a regular drumstick in the other hand. With the slapstik you can produce AMAZING new rhythms, and styles that haven’t even been invented yet!! – and anyone can use it! Whether you’ve played the drums for 7 years, or 7 days, you’ll find sounds coming out of your sticks you never thought could be possible!

drum tracks with the slapstik

New sounds, styles, and techniques are emerging from drummers such as LA artist Yotam Rosenbaum, check out his site at http://www.yotamrosenbaum.com along with his band, The Capitalist HippeiesĀ  http://www.capitalisthippie.com

The Slapstik. Let’s you end on an upbeat!

We’ve posted Yotam’s drum loops for you to download:

Download the slapstik drum_loops.zip

Recording the Bass Drum – it’s Bass-ick

Friday, February 22nd, 2008

For me, the bass drum is the heart of the song. It’s what drives the song and keeps the mix together. So, when I’m setting out to record my music, I need to make sure I get the perfect kick. But how? The truth is, there’s no right or wrong way about it. Once you know the basic rules, observation, experimentation and and brainstorming are the key. But what are the basic rules?

First, you need to make sure the kick is tuned properly. It needs to sound great naturally before you try to get a good sound through the mic. A good source will produce a good recording.
Once the the drum is tuned and set, choose your mic. A dynamic mic, which can handle loud sound pressure levels, is the typical choice. Classic dynamic mics for the kick drum are the AKG D112, Shure Beta 52, and the Sennheiser 421. If you decide to go with a condenser mic, be mindful that the sound pressure may hurt the fragile condenser diaphragm. Follow the basic rule of thumb; use it only if you can put your ear in front of the sound sourse without hurting your hearing. That being said, good condenser mics to use are the Neumann 47 FET and PZM microphones.

Bass Drum Recording
Yamaha SubKick Low-Frequency Capture Device

Bass Drum Recording Mic placement is the next factor to consider. There are no rules, only guidelines. Start by using one mic. If the front head of the drum has a port hole, you can start with placing a mic slightly inside the hole pointing toward the beater pad. Adjust until you get a sound your happy with. Remember, the closer to the beater you are, the more punch; the farther, the more low end. If the kick has no hole for miking, place the mic about 6″ back from the center, and slightly to the left. If you’re using two mics, place one inside the bass drum and the second six inches or so from the front of the drum. Again, adjust until you get the sound you like. Careful, with multiple miking you need to be aware of phase cancellation. This is important to maintain the fullest possible sound.

Bottom line. Know the guidlines but use your ears when determining the right tuning, mic choice and mic placement. Sometimes, the willingness to throw out the rules and do whatever it takes leads to the sound that fits the best!