Paul Hurd is a Los Angeles based drum tech who has worked for years with Drum Paradise, one of LA’s top of the line drum providers for session musicians and recording artists in the area. Hurd shared with DrumTracks.com some of his tricks of the trade he’s learned from being a drum tech and working in the music industry.
Say a drummer is setting out to get a new kit. Do you have any advice for them to get the perfect matching kit?
I would say the most important thing for a beginning drummer would be to get a drum kit that is well balanced. If you are getting a small drum kit, you want to match it with an equally balanced kick drum. SO the rack toms and cymbals can be placed at a level that ergonomics come into play. Being physically comfortable behind your drum set is the first thing you should think about when getting your kit. Be aware of your size and your musical needs. It’s very important to get into the headspace of what’s going to be comfortable for you while you’re drumming.
What’s the difference between buying a kit for live performance and recording?
It’s important to find a kit that’s versatile and can be used for both recording and playing live. The first thing is absolute experimentation with recording. There’s so many different styles and configurations that can be applied to recording. Drums come in so many different sizes, shell configurations, that you would want to experiment with your sounds and use your ears. I’ve found experimenting and finding what most comfortable works is best.
We had such a great response from our last free drum track that we decided to go ahead and post another for everybody to have. This one is a slow jam, meant to break hearts and take names. Lay some smooth guitar over the top and really let yourself croon. Do what you can with it and see how many tears you can squeeze out of someone, moms are a good target. Hit us back with what you got by sending your completed tracks to