How to Write a Song Starting With a Drum Beat

August 17th, 2010

Songwriters are always looking for new ways to find inspiration. Sometimes your life is full of big events that seem to leap onto the page as great new songs. Other times you write stories about friends, family, enemies, fictional characters, etc. But every once in a while, we all hit that dreaded creative wall and get stuck in the rut of writer’s block. No matter what we try to do, we can’t seem to come up with anything catchy, clever or interesting. What can you do at these moments when your ink has run dry and the usual tricks just don’t pan out into memorable songs?

A great way to rekindle the creative flame is by writing a song starting with a drum beat. This is because it gets you thinking a little outside your normal chords-and-melody box. Starting a song with a drum groove provides you with a base to build from instead of just writing a song from nothing at all. A drum track can get you into a certain mood which you can then channel into a song. It can also inspire you to write some music that maybe you never would have come up with without it.

Overall, writing a song from a drum track is a great creative tool. Here are a few tips to help facilitate the process.

Decide on the mood and style

Before you set out to write a song over a drum beat, you should first decide what kind of vibe you’re going for. There are a lot of options when it comes to drums, so you’ll want to get somewhat specific with what you’re looking to start from. Ask yourself a few questions, such as:

What time signature do you want? Do you want a standard 4/4 groove, something in 6/8 or a more unique time signature like 5/4 or 7/8?
What tempo should it be? You don’t have to pinpoint an exact BPM quite yet, but you’ll probably want a ballpark of how fast or slow you want the song to be.
What style are you going for? Drums vary greatly from style to style, and most genres have “standard” and typical drum patterns that are used often. Do you want a straight ahead rock groove with a backbeat, or maybe a swinging jazz drum track played with brushes? You might want a country snare beat or a heavy hip-hop drum track.

It’s good to remember that none of these decisions will lock you into one stylistic box. You can always change your mind as your song progresses, or do something revolutionary like write a rap song over a country drum beat. Right now, the idea is just to narrow down your many options so you have something to start with.

Creating the drum track

Once you have an idea of what you’re going for, step two is getting the drum track itself. There are many ways to do this. You could hire a drummer to play at a local recording studio, but that can get pretty expensive and time-consuming if you don’t know exactly what you want. You can also sequence or play the track yourself. If you’re not too experienced with programming drum parts, you might want to skip this option, as well. Sequencing drums can take a long time and be very frustrating if the final product doesn’t sound “natural.” Plus, you won’t ever feel the spontaneity that you’d get from a real drummer who would play with fills, dynamics and variety.

DrumTracks.com offers a great alternative to expensive studios and disappointing programmed drums. We have hundreds of full-length drum tracks played by real drummers which include various song sections, fills and dynamics. They’re a great place to start for songwriting inspiration, and even if they don’t end up fitting the exact form of your tune, they are recorded and edited to a click track–changing them is as easy as dragging and dropping sections.

Looping and writing

Now that you have your drum track and it’s in the style of your choosing, you get to start writing! The songwriting process is uniquely personal and varies from artist to artist. But what you probably want to do is take your drum track and drop it into a DAW like Pro Tools. This way you can set the program to loop the drum track or specific sections of the drum track so that you can compose over an endless beat that will never interrupt your creative process. It could be a good idea to loop just the verse beat for a while, then the chorus, etc. That way you can focus on one section at a time. Try writing chords or riffs over the beat. Or if you’re more of a lyrics-first person, you could even write a melody and lyrics just based on the drum beat and figure out the chords and harmony later.

Finishing it up

The beauty of writing a song to a drum beat is that once you’re finished composing, you’ve already started the recording process! When your song is complete, you have a drum track ready and waiting for you, so you can immediately start laying down tracks for your new song.

Let DrumTracks.com help kickstart your creative process. Sign up for a free account today and start browsing our huge library of drum tracks!

Drum Beats – the Definitive Guide

June 3rd, 2010
Drums are a unique beast in the world of music recording.  These days, it’s pretty common for even casual musicians to be able to record guitar, bass, or vocals in the comfort of their own bedrooms.  With some software and a little knowhow, guitars can be recorded directly into your computer and manipulated to sound like you played through an amplifier.   It’s much less common to have the resources to easily record drums.  Drums usually need complex setups of (sometimes expensive) microphones, and won’t exactly provide the silent recording experience you would need to lay down some late-night grooves in your apartment complex.
But unlike guitars and vocals, drums are much more easily reproduced using synthetic methods such as sequencing and drum loops.  And recording over a drum track played by a session drummer isn’t nearly as limiting to your creativity as hiring someone to play guitar–you can easily change notes and chords in your song without needing to alter the drum track.
So along with a few limitations, drums also come with their fair share of freedoms and options, as well.  Now, what exactly are your options when it comes to making drum beats for your songs?

Photo by goodrob131. Play them yourself

There is, and will always be, the old fashioned way of recording drums: by playing them yourself.  If you have a drum set, you’ll have to set up several microphones–typically on the snare drum, the kick drum, the tom-toms and “overhead” mics to capture the ambient sounds–and hit the record button!  After you play, you can edit the beat if desired, and then mix the individual drum mics to taste.
Another option is an electronic drum set, such as the Roland V-Drums.  In this case, no microphones are required.  You can simply connect the output of the electronic set to your recording interface and play away.  This is a more viable option if you don’t have the freedom to make a bunch of noise any time you’d like.
If you don’t have access to your own drums, you can always rent out a recording studio.  Many of them have in-house drum sets, and they always have high quality microphones and staff engineers who know how to set them up.

2. Use samples

The V-Drums that I mentioned above use “samples” to simulate a real drum set.  Samples are audio clips of actual drums that are triggered each time you hit one of their electronic pads with a stick.  So every time you hit the snare pad, an audio recording of an actual snare drum will sound.
Samples are incredibly flexible by nature.  You can manually piece together drum samples in a digital audio workstation (DAW) such as Pro Tools to create your own custom beats.  Most DAWs also have MIDI capabilities, which allow your computer to communicate with external drum machines, keyboards, or other MIDI controllers to sequence drum samples into beats.
Samples are very versatile–they aren’t limited to “normal” drum sounds.  Although you can use samples to imitate a real drum kit, many artists use electronic drum samples in their songs that sound nothing like an organic kit.  (You won’t hear too many songs with “fake” sounding guitar parts!)  One of the beauties of sampling is that you don’t have to commit to a sound while you’re recording; if you’re using MIDI, you can actually change the sounds of your drum set after you already sequenced the drum beat!
One drawback of sequencing samples is that it can be difficult to get a “natural” drum sound…  It’s actually the little inconsistencies in dynamics and time that make a real drummer play something that sounds more “human.”
If you’re interested in going the sample route, you can buy sample libraries and CDs online.

3. Use loops

A drum loop is just what it sounds like: a short clip of a drum beat that is recorded in such a way that it can be played repeatedly–or “looped”–and it will sound seamless.  You can buy drum loop CDs or purchase individual loops from countless websites.  Some software, such as Apple’s GarageBand, come with a library of drum loops.
There are two basic types of drum loops: audio and MIDI.  Audio loops are usually recordings of real players jamming out a groove.  The loop files are labeled with a tempo, so all you have to do is adjust your DAW to the specified BPM, then drag and drop the loop into the software wherever you’d like in the song.  A MIDI loop is similar, but instead of being an audio recording, it is made up of samples that have already been sequenced into a drum beat.  This way, not only can you play it at any tempo you’d like without any sound degradation, you can also change it around if it’s not exactly what you want.
Audio loops might be slightly more limited in options than MIDI loops, but they often sound more “real” and “natural,” since they are usually clips of real drummers.  A downside might be if you want specific drum fills for your song, but don’t have a loop or recording of it.  In this case, real drummers–or at least talented drum sequencers–win out again.

4. Pay someone else to play them

You might not have a lot of confidence in your drumming, or maybe you have no experience playing percussion at all.  You may also not be a skilled sequencer, or loops just fall short of your vision of a completely natural sounding drum part.  All hope is not lost, however.  You can still get somebody else to play drums for you!
One option is to pay a session drummer in your area to come into a recording studio and play drums for your songs.  If you don’t have the cash to pay for that, there are a several online alternatives that might keep a few bucks in your wallet.
You could, for example, use this very site (DrumTracks.com) to find full-length tracks played by real drummers.  If the arrangement doesn’t exactly fit your song, you can easily rearrange it in a DAW, since they are played and edited to a click track.
Or, if you want to pay someone to play exactly what you want for your song but don’t want to break the bank, both DrumsForYou.com and Studio Pros hook you up with top Los Angeles session players for very affordable prices!
There are a lot of great options for recording drum beats for your music.  The key is to find the best one that suits your song’s specific needs, and realize that these days, nothing’s standing in between you and your creativity!

Fast Country Drum Tracks

May 16th, 2008

Looking for a way to keep your creative juices flowing?
We decided to lay down some cool drum tracks to inspire you.

Go crazy with this week’s “Fast Country” drum tracks! (Click to download)

If you like what you hear, click here to have us record custom drum tracks for your songs.

Custom Drum Tracks

And You Thought Stevie Wonder Only Played The Keys…

April 17th, 2008

I found this clip of Stevie Wonder playing the drums and thought I should share it with you all.  As if he didn’t make us feel bad enough with the way he can play the keys?  I guess some people just have talent.  Wouldn’t you want Stevie to record a drum track for you?  I know I would. 

Drum Tracks With The Slapstik

March 12th, 2008

Pushing your boundaries is fun… It’s even more fun with a slapstik! Drummers – if you haven’t heard about this neat new contraption, don’t worry. I’m here to tell you all about it!

The slapstik http://www.theslapstik.com/ is a new and exciting tool that can bring your creativity to a whole other level! It basically consists of a regular drumstick, with a small bendable attachment on the end that lets you create upstrokes and down-strokes on the hi-hat, or anywhere else on the drum kit, with amazing speed and agility. It is intended to be used in the dominant hand, with a regular drumstick in the other hand. With the slapstik you can produce AMAZING new rhythms, and styles that haven’t even been invented yet!! – and anyone can use it! Whether you’ve played the drums for 7 years, or 7 days, you’ll find sounds coming out of your sticks you never thought could be possible!

drum tracks with the slapstik

New sounds, styles, and techniques are emerging from drummers such as LA artist Yotam Rosenbaum, check out his site at http://www.yotamrosenbaum.com along with his band, The Capitalist Hippeies  http://www.capitalisthippie.com

The Slapstik. Let’s you end on an upbeat!

We’ve posted Yotam’s drum loops for you to download:

Download the slapstik drum_loops.zip

Download Free Drum Tracks

February 26th, 2008

Download Free Drum TracksIn our blog you’ll find many free drum tracks that you can download and use as the main drum tracks of your song or cut and paste it to loops and samples. To make life easier, I’ve decided to index some links to those free drum tracks, but if you want the full story behind the track, browse around and check them out.

Download Karen Teperberg’s Drum Loops

Full length Drum Tracks:

Download Rock drum track

Download Rock-Shuffle 140.25BPM

Download slow drum track – folk 80BPM

Like the sound and performance? You can purchase a custom drum track, recorded especially for your song and tailored to your needs from me. email drummer@drumtracks.com for details. Don’t forget to check back soon for more free drum tracks.

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Recording the Bass Drum – it’s Bass-ick

February 22nd, 2008

For me, the bass drum is the heart of the song. It’s what drives the song and keeps the mix together. So, when I’m setting out to record my music, I need to make sure I get the perfect kick. But how? The truth is, there’s no right or wrong way about it. Once you know the basic rules, observation, experimentation and and brainstorming are the key. But what are the basic rules?

First, you need to make sure the kick is tuned properly. It needs to sound great naturally before you try to get a good sound through the mic. A good source will produce a good recording.
Once the the drum is tuned and set, choose your mic. A dynamic mic, which can handle loud sound pressure levels, is the typical choice. Classic dynamic mics for the kick drum are the AKG D112, Shure Beta 52, and the Sennheiser 421. If you decide to go with a condenser mic, be mindful that the sound pressure may hurt the fragile condenser diaphragm. Follow the basic rule of thumb; use it only if you can put your ear in front of the sound sourse without hurting your hearing. That being said, good condenser mics to use are the Neumann 47 FET and PZM microphones.

Bass Drum Recording
Yamaha SubKick Low-Frequency Capture Device

Bass Drum Recording Mic placement is the next factor to consider. There are no rules, only guidelines. Start by using one mic. If the front head of the drum has a port hole, you can start with placing a mic slightly inside the hole pointing toward the beater pad. Adjust until you get a sound your happy with. Remember, the closer to the beater you are, the more punch; the farther, the more low end. If the kick has no hole for miking, place the mic about 6″ back from the center, and slightly to the left. If you’re using two mics, place one inside the bass drum and the second six inches or so from the front of the drum. Again, adjust until you get the sound you like. Careful, with multiple miking you need to be aware of phase cancellation. This is important to maintain the fullest possible sound.

Bottom line. Know the guidlines but use your ears when determining the right tuning, mic choice and mic placement. Sometimes, the willingness to throw out the rules and do whatever it takes leads to the sound that fits the best!

Drum tips from the drum tech.

February 13th, 2008

Tuning Your DrumsPaul Hurd is a Los Angeles based drum tech who has worked for years with Drum Paradise, one of LA’s top of the line drum providers for session musicians and recording artists in the area. Hurd shared with DrumTracks.com some of his tricks of the trade he’s learned from being a drum tech and working in the music industry.

Say a drummer is setting out to get a new kit. Do you have any advice for them to get the perfect matching kit?

I would say the most important thing for a beginning drummer would be to get a drum kit that is well balanced. If you are getting a small drum kit, you want to match it with an equally balanced kick drum. SO the rack toms and cymbals can be placed at a level that ergonomics come into play. Being physically comfortable behind your drum set is the first thing you should think about when getting your kit. Be aware of your size and your musical needs. It’s very important to get into the headspace of what’s going to be comfortable for you while you’re drumming.

What’s the difference between buying a kit for live performance and recording?

It’s important to find a kit that’s versatile and can be used for both recording and playing live. The first thing is absolute experimentation with recording. There’s so many different styles and configurations that can be applied to recording. Drums come in so many different sizes, shell configurations, that you would want to experiment with your sounds and use your ears. I’ve found experimenting and finding what most comfortable works is best.

As a drum tech, you’ve set up drums for many artists in the Los Angeles recording studios including Henson, The Village, The Record Plant; What’s would you consider to be #1 thing you have to keep in mind when setting up drums for recording artists?

In setting up for other artists has a lot to being aware of their set up and every angle of the tom and cymbals. One thing I’ve had to let go of was setting up as if it were for myself. There’s no rules to where things go. I’ve had to learn and get used to the drummers needs to get the feel for their perfect set up. Each setup I’ve done for drummers has been different from my own.

I basically try to get a really nice tone out of the drums and to kind of leave it for the drummer to fine tune their kit after I’ve setup. I go over every detail, use photos, and am not afraid to call the drummer and double check on certain cymbal set ups they might want. I always leave extra heads for the drummer in the studio. It’s always best to be prepared for things going wrong. I’ve found this to be such an individual process, the more practice setting up each different artist, the more you’ll learn the subtleties of their individual kits and playing styles.

Do you have any advice for tuning your drums?

Basically, tuning for the room is the most important thing for tuning your drum set. One of the most important things I’ve learned is that a drum that sounds great at a certain tuning in one room might not sound as good in another room. Trial and error and practice is the best way to fine tune your drum heads. My set up at my band’s rehearsal studio sounds entirely different when I set up at a club to play live without changing any of the tuning. Each room has its own reflections and dynamics. Re-tuning your drum set every time you set up in a new room is very important if you’re going for a good drum tone. A drum set reacts very differently in each room. It’s important to always make sure you have fresh ears and build up from the start when you’re setting up your kit in a new place.

Drum Tracks sounds from the 60’s

January 31st, 2008

Recording Session

Everyone always seems to be moving forward in music. New ideas are being brought to the table every day in the music business. Technology changes, things become digitalized. People replace live drummers with machines. But what about when we want to bring it back? I thought it’d be a good idea to take a minute and look back to what has worked in the past and use it today. Drum tracks for the future, using the tricks of the trade from the past. Good idea? I thought so.

Sometimes I get sound alike projects where customers are looking for the old sounds of the sixties. As a producer, I have to go into the studio and set up the kit to get that “old sound”. Here are tricks I have found to work to get that 60’s drum sound:

  1. I use my Rogers Dyna-Sonic snare drum that captures that old sound
  2. I use two condenser mics as left and right overheads and a SM57 in front of bass drum
  3. I try to make the drums sound as natural as possible and capture that sound

Apart from the miking and placement of the drums, the performance from the drummer was different back then. Players from the past used different playing techniques. In most cases, old drummers used more snare drums and the hits were less aggressive than the drums of today and more prevalent. The ride cymbal wasn’t as heavy as today’s cymbals.

Check out some drum tracks from the past. References are a must when you’re about to record drums. Experiment with your setup and listen back to your recording.

Drum Tracks With Karen Teperberg

December 20th, 2007

“I think one of the most important things in life is for us to have a passion and something that feeds us and if we have that we have something to wake up for in the morning.”
–Karen Teperberg

Karen ain’t messin’ around! With an energy that makes your head snap, Karen Teperberg brings the latest and greatest free drum tracks to you. A veteran player, she currently backs up teen idol Jesse McCartney and has also rocked out with top-notch musicians Chris Botti, Shawn Colvin, Sting, Mandi Perkins, K’s Choice and Sarah Bettens. Karen sat down with our own Kati O’Toole for a mini-interview about how she does what she does on the drums.

Karen let us check out some of her drumming toys, gave some drummer-ly advice and then wailed away on the set to show off her unique feel. Check it all out in this video and be sure to download the free drum tracks that Karen laid down. If you want to catch Karen bangin’ out the beats in real life check in on her current gigs with Saucy Monkey and Moshav Band.
You wanna be friends? Hit up www.myspace.com/karenteperberg to listen to more awesome songs with Karen on drums and to stay posted on her shows.

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Download the WAV drum tracks