The End

2140 downloads

Starting out with an ominous "1 and" beating of toms, this drum track breaks into a heavy backbeat featuring open hi-hat quarter notes and the occasional double bass drum flourish. The main verse section is a Read more...

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Play   Name   Style   BPM   Time Sig   Length   Decade   Drummer
 
  The End   Metal   108   4/4   3:32   Current   EDrummer

The End

108 BPM | Metal 4/4 | Current | 3:32 minutes
 
  Heavy Door   Metal   92   4/4   4:54   Current   BeatMaster

Heavy Door

92 BPM | Metal 4/4 | Current | 4:54 minutes
 
  Hazes   Metal   175   4/4   3:19   Current   BeatMaster

Hazes

175 BPM | Metal 4/4 | Current | 3:19 minutes

Buy all three tracks for $19.90 (you save $9.95)

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8 of 9 people found the following review helpful:

Date added : 11/30/2009

Starting out with an ominous "1 and" beating of toms, this drum track breaks into a heavy backbeat featuring open hi-hat quarter notes and the occasional double bass drum flourish. The main verse section is a simple beat with a couple quick double bass drum bits, then the ride cymbal comes in and the kick drum is more prominent. After a brief return to the intro, it goes back to some open hi-hat and some double kick every measure. Soon a crash cymbal starts keeping time and a heavy, steady beat comes in with fills in every bar. A bridge section consists of a bunch of scattered, big fills and then a quiet cymbal moment before heading back into a kick drum-heavy beat till the end that mimics the intro.

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Customer Reviews

3 Reviews
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4.0
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3.0
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2.0
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Average Customer Review

4.0
  (3 customer reviews)

3 of 3 people found the following review helpful:

5.0

 On The End By: Jason Kelly

Date added : 10/27/2012

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3 of 3 people found the following review helpful:

4.0

 On The End By: Kevin Scott

Date added : 12/29/2011

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3 of 3 people found the following review helpful:

3.0

 On The End By: Michael Wright

Date added : 11/28/2011

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Songs with this drum track:

under by darktexas boulevard

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AVENGING THE FALLEN by PUNISHER

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The Edge by mwr

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My Other Half by Shawn Farr

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